Abstract
The exhibition consists of a collection of textiles-based artworks reflecting the heritage of the Scottish Borders, particularly the Scottish Borders Archives along with preliminary drawings and collages. As the textile industry in Britain continues to decline, the associated communities, skills, tacit knowledge and traditions are in danger of becoming lost forever. Former textile mills are decommissioned and left to decay, the few remnants of a once proud industry are boxed, hidden within archives. Exploration through research, reassembling, and making has resulted in works that brings this important part of our local heritage back into view and open to the observers interpretation.
The main aim of the research is to provide a visual commentary of a community bound together by a once thriving industry, exploring how the fabric of life is inextricably embedded within the indigenous textiles from a certain locale.
The process began with the mining of archival material such as photographs of the workers, visits from notable dignitaries, events, branding, advertising, hand written correspondence, sales ledgers, design books and colour cards.
The historical material from the archive is brought back to life and re-told through the displacement of visual elements taken out of their original context and re-represented through collage and subsequently digital sublimation print processes. The chosen substrates are fully fashioned seamed stockings, fragile and ephemeral that evoke and represent the pioneering technology once used by the Hawick mills in the production of stockings and undergarments.
The main aim of the research is to provide a visual commentary of a community bound together by a once thriving industry, exploring how the fabric of life is inextricably embedded within the indigenous textiles from a certain locale.
The process began with the mining of archival material such as photographs of the workers, visits from notable dignitaries, events, branding, advertising, hand written correspondence, sales ledgers, design books and colour cards.
The historical material from the archive is brought back to life and re-told through the displacement of visual elements taken out of their original context and re-represented through collage and subsequently digital sublimation print processes. The chosen substrates are fully fashioned seamed stockings, fragile and ephemeral that evoke and represent the pioneering technology once used by the Hawick mills in the production of stockings and undergarments.
Original language | English |
---|---|
Place of Publication | University of Bolton |
Publication status | Published - 24 Jan 2019 |
Event | Furescan 4: Valuing Practice - University of Bolton , Bolton, United Kingdom Duration: 23 Jan 2019 → 24 Jun 2019 http://www.ftc-online.org.uk/futurescan-4-conference/ http://ftc-online.org.uk |
Keywords
- Drawing and Collage
- Textile Archive
- Textile Industry
- Textile Heritage
- Luxury Hosiery
Fingerprint
Dive into the research topics of 'Textile Heritage Retold; Drawing Inspiration from the Hawick Textile Archives'. Together they form a unique fingerprint.Profiles
-
Emily Quinn
- School of Textiles & Design - Assistant Professor
Person: Academic (Research & Teaching)