Abstract
Traditional arts practices and festivals have attracted increasing and diverse attention in the European context since policymakers discovered ‘culture’ as a resource in the 1980s. The promotion of local and regional ‘heritage’ as a resource especially for tourism has been linked to the rise of neo-liberalism, which sees local culture and identity as assets if they can be harnessed to provide foundations for social and economic growth in the face of a decline in manufacturing. The link between heritage and identity has become a commonplace topic. Cultural traditions, being part of cultural heritages, are significant factors that shape local, regional, national and European identities. Music has long been seen as a key element of European heritage and identity, although that tends to be in the context of ‘high culture’. The economic potential of cultural heritage at a transnational level has been recognised by the European Commission.
| Original language | English |
|---|---|
| Title of host publication | Heritage and Festivals in Europe |
| Subtitle of host publication | Performing Identities |
| Editors | Ullrich Kockel, Cristina Clopot, Baiba Tjarve, Máiréad Nic Craith |
| Publisher | Routledge |
| Chapter | 1 |
| Pages | 1-17 |
| Number of pages | 17 |
| Edition | 1st |
| ISBN (Electronic) | 9780429202964 |
| ISBN (Print) | 9780367186760 |
| DOIs | |
| Publication status | Published - 2019 |
UN SDGs
This output contributes to the following UN Sustainable Development Goals (SDGs)
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SDG 8 Decent Work and Economic Growth
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