Abstract
The French comic, actor and humanitarian Coluche represents an important and enduring example of celebrity in contemporary France, yet little academic attention has been paid particularly to his posthumous significance. A detailed survey of French press and television coverage over the last decade reveals competing media discourses concerning his importance as a source of nostalgia, accusations of vulgarity and racism in his work, and his portrayal in the 2008 biopic Coluche, l’histoire d’un mec. At the same time, coverage generates more consensual representations of Coluche - as an ordinary and extraordinary star, a political activist, an LGBTQ-friendly figure, a representative of a French biker culture based on social solidarity, a distinguished public figure worthy of comparison with other well-known individuals, a subject for impersonation, and a source of inspiration to other performers. In addition, Coluche’s case study indicates possible media-specific approaches to the representation of posthumous celebrity.
Original language | English |
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Pages (from-to) | 323-341 |
Number of pages | 19 |
Journal | Modern and Contemporary France |
Volume | 27 |
Issue number | 3 |
Early online date | 19 Jan 2019 |
DOIs | |
Publication status | Published - 3 Jul 2019 |
ASJC Scopus subject areas
- Cultural Studies
- History
- Sociology and Political Science
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Chris Tinker
- School of Social Sciences - Professor
- School of Social Sciences, Languages & Intercultural Studies - Professor
Person: Academic (Research & Teaching)